MixLens blog
Launches, case studies, and essays. If you want task-based help with graphs, fixes, or reference workflow, start in the Learn hub instead.
Reference track mixing: how to actually use a reference (without copying it)
Loading a reference into your DAW isn't the technique. Learn how to read tonal balance, dynamics, and stereo image off a reference — and how reference-match EQ does it deterministically.
Spotify release targets in 2026 — the numbers that actually matter
Spotify normalizes everything to −14 LUFS. What that means for your true-peak ceiling, your loudness range, and the file you send to Spotify for Artists — backed by the published spec.
LUFS, explained — why every streaming platform measures your loudness the same way
The ITU-R BS.1770-5 standard is the reason Spotify, Apple, YouTube, and Tidal all use the same loudness target. Here's what it actually measures, why K-weighting matters, and how it's different from dBFS and RMS.
Case study: turning a bass-heavy hip-hop mix from "bangs in the studio" to "bangs on a phone"
Walking through a real producer's mix that scored 64 on MixLens, identifying every issue from the diagnostics, and rendering a corrected master that scored 87 — with the numbers from the actual run.